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Buzzing Akane

#e261ad
Notes

Buzzing Akane (#E261AD) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (325°, 69%, 63%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e261ad
RGB
rgb(226, 97, 173)
HSL
hsl(325, 69%, 63%)
HWB
hwb(325 38% 11%)
OKLCH
oklch(67.6% 0.180 346.6)
P3
color(display-p3 0.8248 0.4111 0.6668)
HSV
hsv(325, 57%, 89%)
LAB
lab(59.65% 58.29 -15.85)
LCH
lch(59.65% 60.41 344.79)
CMYK
cmyk(0%, 57%, 23%, 11%)

Etymology

Buzzing
adjective

The progressive participle of buzz — borrowed metaphorically as a color word since the late twentieth century for hues that read as visually loud and slightly destabilizing. Buzzing yellow, buzzing magenta: the implication is saturation pushed past comfortable into the realm of optical agitation. Sits at the bright-bucket extreme alongside electric.

Akane
noun

Rubia cordifolia, the Asian madder root that gave its name in Japanese to a saturated dawn-red color and to one of the oldest dyes in continuous use in Japan. Akane has dyed temple textiles, kimono linings, and the akabō porter caps of pre-modern Tokyo for over a thousand years. The color refers to a freshly akane-dyed silk: a saturated, slightly orange-shifted red with the plant-dye warmth of natural pigment.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e261ad
Original
#6e82af
Protanopia
#9298aa
Deuteranopia
#f05f7f
Tritanopia
#828282
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.21:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.55:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E261AD
Display P3
Display P3
color(display-p3 0.8248 0.4111 0.6668)
P3 has visible headroomOKLCH chroma 0.180

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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