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Bastioned Plumed Crimson

#e25866
Notes

Bastioned Plumed Crimson (#E25866) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (354°, 70%, 62%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e25866
RGB
rgb(226, 88, 102)
HSL
hsl(354, 70%, 62%)
HWB
hwb(354 35% 11%)
OKLCH
oklch(64.4% 0.172 17.3)
P3
color(display-p3 0.8226 0.3805 0.4115)
HSV
hsv(354, 61%, 89%)
LAB
lab(56.20% 54.71 20.60)
LCH
lch(56.20% 58.46 20.63)
CMYK
cmyk(0%, 61%, 55%, 11%)

Etymology

Bastioned
adjective

Italian bastionato, fortified-with-bastions — past-participle of bastion, derived from bastia (fortified-tower). As a color modifier, bastioned implies a saturated-and-fortified-and-projecting quality, the deep-rich color of Vauban-period military-fortress star-fort projecting-bastion stone-architecture. Sits at the bold-and-fortified end of the grid, parallel to fortified and buttressed.

Plumed
modifier

Latin plūma, feather. As a color modifier, plumed implies a feathered-and-decorative-feather quality, the visual register of Edwardian-and-Belle-Époque-plumed-hat hand-set-and-decorative ostrich-and-egret-feather Edwardian-and-Belle-Époque plumed-and-feathered-hat surfaces under Edwardian-and-Belle-Époque plumed-hat-and-feather millinery-light. Sits at the modifier-and-texture end of the grid, parallel to fluff and down in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e25866
Original
#797566
Protanopia
#9c9163
Deuteranopia
#f6405e
Tritanopia
#767676
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.61:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.82:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E25866
Display P3
Display P3
color(display-p3 0.8226 0.3805 0.4115)
P3 has subtle headroomOKLCH chroma 0.172

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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