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Princely Crinoline

#e237ae
Notes

Princely Crinoline (#E237AE) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (318°, 75%, 55%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e237ae
RGB
rgb(226, 55, 174)
HSL
hsl(318, 75%, 55%)
HWB
hwb(318 22% 11%)
OKLCH
oklch(63.4% 0.234 343.3)
P3
color(display-p3 0.8166 0.2766 0.6660)
HSV
hsv(318, 76%, 89%)
LAB
lab(53.99% 74.19 -25.09)
LCH
lch(53.99% 78.32 341.31)
CMYK
cmyk(0%, 76%, 23%, 11%)

Etymology

Princely
adjective

Latin prīnceps, first / chief — adjectival suffix -ly. As a color modifier, princely implies a saturated-and-royal-secondary quality, the deep-rich color of European crown-prince coronet-and-livery vestment. Sits at the bold-and-aristocratic end of the grid, parallel to lordly and regal in usage.

Crinoline
noun

French crin, horsehair — Originally a stiff horsehair-and-linen petticoat fabric, the term crinoline came to refer to the cage-and-hoop dress structure of the 1850s–60s. The deep-magenta fuchsine-dyed crinoline silk was the dominant Belle-Époque colour. Crinoline color refers to a Worth-period crinoline-skirt silk faille: a saturated, slightly cool deep magenta with the silky finish of fuchsine-dyed jacquard-figured Lyon silk.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e237ae
Original
#4a6fb1
Protanopia
#808baa
Deuteranopia
#f1376f
Tritanopia
#646464
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.90:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.39:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E237AE
Display P3
Display P3
color(display-p3 0.8166 0.2766 0.6660)
P3 has visible headroomOKLCH chroma 0.234

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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