Manic Via Goldenrod

Greek manikós, raving / mad — sharing root with mania. As a color modifier, manic implies a saturated-and-overstimulated-and-extreme quality, the bright color of Andy-Warhol-and-Pop-Art late-Pop-Art repeated-and-multiplied portrait color schemes. Sits at the bright-and-active end of the grid, parallel to hyper and frenetic in usage.

Latin via, road-or-way. As a color modifier, via implies a Latin-road-and-Roman-Via-Appia quality, the visual register of Roman-Via-Appia-and-Via-Aemilia hand-Latin-road-and-Roman-Via-Appia Roman-Via-Appia-and-Via-Aemilia-and-Via-Egnatia via-and-Latin-road surfaces under Roman-Via-Appia-and-Via-Aemilia-and-Via-Egnatia Republican-Rome-and-imperial-road-network basalt-paved-Roman-road-light. Sits at the modifier-and-Latin end of the grid, parallel to arbor and domus in usage.

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.