Centered Jolly Ruby
Centered Jolly Ruby (#E15E5B) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (1°, 69%, 62%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin centrum, center — past-participle of center. As a color modifier, centered implies a saturated-and-grounded-and-balanced quality where the hue occupies the visual center of its palette without drift. Sits at the bold-and-balanced end of the grid, parallel to poised and grounded.
Old French jolif, festive-and-pretty. As a color modifier, jolly implies a hearty-and-warm-and-festive quality, the visual register of Dickens-Christmas-and-Falstaffian-jolly hand-hearty-and-warm-and-festive Dickens-Christmas-and-Falstaffian-and-Pickwickian jollied-and-hearty-and-warm-and-festive surfaces under Dickens-Christmas-and-Falstaffian-and-Pickwickian goose-and-plum-pudding-and-roaring-hearth Christmas-Eve-light. Sits at the modifier-and-mood end of the grid, parallel to merry and mirth in usage.
From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.