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Sumptuous Vishnya

#e142b4
Notes

Sumptuous Vishnya (#E142B4) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (317°, 73%, 57%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e142b4
RGB
rgb(225, 66, 180)
HSL
hsl(317, 73%, 57%)
HWB
hwb(317 26% 12%)
OKLCH
oklch(64.4% 0.225 341.5)
P3
color(display-p3 0.8146 0.3088 0.6889)
HSV
hsv(317, 71%, 88%)
LAB
lab(55.28% 71.28 -26.60)
LCH
lch(55.28% 76.08 339.53)
CMYK
cmyk(0%, 71%, 20%, 12%)

Etymology

Sumptuous
adjective

Latin sūmptuōsus, expensive — derived from sūmptus (expense). As a color modifier, sumptuous implies a saturated-and-rich-and-luxurious quality, the deep-rich color of Burgundy-and-Champagne-Court late-medieval silk-and-velvet livery in the Très-Riches-Heures manuscript tradition. Sits at the bold-and-saturated end of the grid, parallel to opulent and lavish.

Vishnya
noun

Russian вишня, sour cherry (Prunus cerasus) — the deep-magenta drupe used in Russian vishnyovy compote, varenye preserve, and the Polish wiśniówka cherry liqueur. Vishnya color refers to a freshly pitted Prunus cerasus drupe in a Russian-folk varenye preserve: a saturated, slightly cool deep magenta with the matte finish of anthocyanin-rich sour-cherry pulp on a clear-glass preserve jar.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e142b4
Original
#4f74b7
Protanopia
#818eb0
Deuteranopia
#ef4576
Tritanopia
#6c6c6c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.72:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.64:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E142B4
Display P3
Display P3
color(display-p3 0.8146 0.3088 0.6889)
P3 has visible headroomOKLCH chroma 0.225

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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