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Conquering Kunzite

#e136a6
Notes

Conquering Kunzite (#E136A6) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (321°, 74%, 55%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e136a6
RGB
rgb(225, 54, 166)
HSL
hsl(321, 74%, 55%)
HWB
hwb(321 21% 12%)
OKLCH
oklch(62.9% 0.230 345.7)
P3
color(display-p3 0.8128 0.2732 0.6364)
HSV
hsv(321, 76%, 88%)
LAB
lab(53.39% 73.27 -21.34)
LCH
lch(53.39% 76.31 343.76)
CMYK
cmyk(0%, 76%, 26%, 12%)

Etymology

Conquering
adjective

Latin conquīrere, to seek thoroughly — present-participle of conquer. As a color modifier, conquering implies a saturated-and-overwhelming-and-victorious quality where the hue overcomes neighboring colors through pure pigmentation strength. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and dominant.

Kunzite
noun

Pink variety of the lithium-aluminum silicate spodumene — first described from the San Diego gem-deposits of California in 1902 by George Frederick Kunz. The pink color comes from manganese substitution. Kunzite color refers to a faceted San-Diego-area kunzite: a saturated, slightly cool deep magenta with the glassy finish of manganese-substituted spodumene gem crystal. Pleochroic between deep-pink and pale-violet.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e136a6
Original
#4e6da9
Protanopia
#828aa2
Deuteranopia
#f0326a
Tritanopia
#626262
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.98:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.28:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E136A6
Display P3
Display P3
color(display-p3 0.8128 0.2732 0.6364)
P3 has visible headroomOKLCH chroma 0.230

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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