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Hefty Stalk Crimson

#e1315e
Notes

Hefty Stalk Crimson (#E1315E) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (345°, 75%, 54%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e1315e
RGB
rgb(225, 49, 94)
HSL
hsl(345, 75%, 54%)
HWB
hwb(345 19% 12%)
OKLCH
oklch(60.2% 0.210 12.2)
P3
color(display-p3 0.8122 0.2593 0.3765)
HSV
hsv(345, 78%, 88%)
LAB
lab(50.71% 68.01 17.92)
LCH
lch(50.71% 70.33 14.76)
CMYK
cmyk(0%, 78%, 58%, 12%)

Etymology

Hefty
adjective

Old English hefig, heavy — adjectival suffix -y. As a color modifier, hefty implies a saturated-and-substantial-and-weighty quality where the hue carries the visual heft of a hand-cast pig-iron object. Sits at the bold-and-weighty end of the grid, parallel to substantial and weighty in usage.

Stalk
modifier

Old English stealcung, to-walk-stealthily. As a color modifier, stalk implies a deliberate-and-stealthy-and-tracked quality, the visual register of Highland-stalker-and-stag-stalk hand-deliberate-and-stealthy-and-tracked Highland-stalker-and-stag-and-tracker stalked-and-deliberate-and-stealthy-and-tracked surfaces under Highland-stalker-and-stag-and-tracker heather-moor-and-corrie-and-deer-forest tracked-and-stealthy-light. Sits at the modifier-and-mood end of the grid, parallel to prowl and creep in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e1315e
Original
#63625f
Protanopia
#908659
Deuteranopia
#f60045
Tritanopia
#5a5a5a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.37:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.80:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E1315E
Display P3
Display P3
color(display-p3 0.8122 0.2593 0.3765)
P3 has visible headroomOKLCH chroma 0.210

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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