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Patrician Meteor Crimson

#e12c3d
Notes

Patrician Meteor Crimson (#E12C3D) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (354°, 75%, 53%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e12c3d
RGB
rgb(225, 44, 61)
HSL
hsl(354, 75%, 53%)
HWB
hwb(354 17% 12%)
OKLCH
oklch(59.2% 0.214 22.6)
P3
color(display-p3 0.8116 0.2461 0.2652)
HSV
hsv(354, 80%, 88%)
LAB
lab(49.68% 67.61 36.33)
LCH
lch(49.68% 76.75 28.26)
CMYK
cmyk(0%, 80%, 73%, 12%)

Etymology

Patrician
adjective

Latin patrīcius, of the noble class — derived from pater (father). As a color modifier, patrician implies a saturated-and-aristocratic-and-Roman-Republic quality, the deep-rich color of Roman-Patrician-class toga and senatorial-livery hereditary-aristocratic dress. Sits at the bold-and-aristocratic end of the grid, parallel to senatorial and imperial.

Meteor
modifier

Greek μετέωρος, suspended-in-air. As a color modifier, meteor implies a streaking-and-burning-and-shooting-star quality, the visual register of Perseids-and-Leonids-meteor hand-streaking-and-burning-and-shooting-star Perseids-and-Leonids-and-Geminids-meteor meteor-and-streaking-and-burning-and-shooting-star surfaces under Perseids-and-Leonids-and-Geminids-meteor August-and-November-and-December-night-sky shooting-star-light. Sits at the modifier-and-cosmic end of the grid, parallel to comet and nova in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e12c3d
Original
#665d3c
Protanopia
#928436
Deuteranopia
#f80035
Tritanopia
#545454
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.54:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.63:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E12C3D
Display P3
Display P3
color(display-p3 0.8116 0.2461 0.2652)
P3 has visible headroomOKLCH chroma 0.214

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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