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Brimming Chì

#e12c02
Notes

Brimming Chì (#E12C02) is a true red with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (11°, 98%, 45%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e12c02
RGB
rgb(225, 44, 2)
HSL
hsl(11, 98%, 45%)
HWB
hwb(11 1% 12%)
OKLCH
oklch(58.8% 0.219 32.5)
P3
color(display-p3 0.8116 0.2461 0.1296)
HSV
hsv(11, 99%, 88%)
LAB
lab(49.28% 66.36 61.47)
LCH
lch(49.28% 90.45 42.81)
CMYK
cmyk(0%, 80%, 99%, 12%)

Etymology

Brimming
adjective

Old English brymme, brim / edge — present-participle of brim. As a color modifier, brimming implies a saturated-and-overflowing quality where the hue spills past the edge of its visual container with rich pigmentation. Sits at the bold-and-saturated end of the grid, parallel to replete and abundant.

Chì
noun

One of the five primary Chinese cardinal colors (chì — red — corresponding to the south, summer, and the phoenix). Distinct from hong, which is more general; chì implies the deeper, slightly more saturated red of historical imperial regalia. The color refers to chì-pigment in classical Chinese painting: a saturated, slightly cool deep red with the matte finish of mineral-and-binder pigment.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e12c02
Original
#695c00
Protanopia
#948300
Deuteranopia
#f90028
Tritanopia
#4f4f4f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.60:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.56:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E12C02
Display P3
Display P3
color(display-p3 0.8116 0.2461 0.1296)
P3 has visible headroomOKLCH chroma 0.219

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

Canvas