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Chivalrous Forged Crimson

#e12a3c
Notes

Chivalrous Forged Crimson (#E12A3C) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (354°, 75%, 52%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e12a3c
RGB
rgb(225, 42, 60)
HSL
hsl(354, 75%, 52%)
HWB
hwb(354 16% 12%)
OKLCH
oklch(59.1% 0.215 22.6)
P3
color(display-p3 0.8114 0.2411 0.2617)
HSV
hsv(354, 81%, 88%)
LAB
lab(49.49% 68.06 36.70)
LCH
lch(49.49% 77.33 28.33)
CMYK
cmyk(0%, 81%, 73%, 12%)

Etymology

Chivalrous
adjective

Old French chevaleros, knightly — adjectival suffix -ous, derived from cheval (horse). As a color modifier, chivalrous implies a saturated-and-knightly-and-gallant quality, the deep-rich color of medieval-Romance chanson-de-geste hero-and-troubadour song tradition. Sits at the bold-and-chivalrous end of the grid, parallel to gallant and knightly.

Forged
modifier

Old French forgier, to-forge. As a color modifier, forged implies a hand-hammered-iron quality, the visual register of blacksmith-and-armorer-forged hand-hammered-and-tempered iron-and-steel-and-bronze blacksmith-and-armorer-forged surfaces under blacksmith-and-armorer-forge bellows-and-anvil light. Sits at the modifier-and-texture end of the grid, parallel to hewn and cast in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e12a3c
Original
#655d3b
Protanopia
#928335
Deuteranopia
#f80033
Tritanopia
#525252
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.57:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.60:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E12A3C
Display P3
Display P3
color(display-p3 0.8114 0.2411 0.2617)
P3 has visible headroomOKLCH chroma 0.215

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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