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Bold Karakurenai

#e12320
Notes

Bold Karakurenai (#E12320) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (1°, 76%, 50%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e12320
RGB
rgb(225, 35, 32)
HSL
hsl(1, 76%, 50%)
HWB
hwb(1 13% 12%)
OKLCH
oklch(58.4% 0.222 28.1)
P3
color(display-p3 0.8108 0.2245 0.1801)
HSV
hsv(1, 86%, 88%)
LAB
lab(48.66% 68.83 50.88)
LCH
lch(48.66% 85.60 36.47)
CMYK
cmyk(0%, 84%, 86%, 12%)

Etymology

Bold
adjective

Old English beald, brave, courageous — a quality word that crossed over to color in the late seventeenth century. Bold describes a color that asserts itself: high saturation combined with mid lightness, where the hue presents itself without compromise. Sits at the center of the bold-bucket grid, near strong and rich. Closer to a presence word than a pigment word.

Karakurenai
noun

Literally Chinese crimson in Japanese — the deep, saturated red associated with imported Tang-dynasty silks and the Heian-period aristocratic taste for continental luxury. The color refers to a karakurenai-dyed silk preserved in the Imperial Repository at Shōsō-in: a saturated, slightly cool deep red with the matte finish of layered aka-kō dye. Deeper than akane, cooler than vermillion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e12320
Original
#65591c
Protanopia
#928211
Deuteranopia
#f80026
Tritanopia
#4b4b4b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.71:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.46:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E12320
Display P3
Display P3
color(display-p3 0.8108 0.2245 0.1801)
P3 has visible headroomOKLCH chroma 0.222

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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