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Smoldering Carmesí

#df3485
Notes

Smoldering Carmesí (#DF3485) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (332°, 73%, 54%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#df3485
RGB
rgb(223, 52, 133)
HSL
hsl(332, 73%, 54%)
HWB
hwb(332 20% 13%)
OKLCH
oklch(61.2% 0.215 357.2)
P3
color(display-p3 0.8054 0.2664 0.5155)
HSV
hsv(332, 77%, 87%)
LAB
lab(51.66% 69.78 -4.37)
LCH
lch(51.66% 69.92 356.42)
CMYK
cmyk(0%, 77%, 40%, 13%)

Etymology

Smoldering
adjective

The progressive participle of smolder, to burn slowly without flame. Used as a color word since the late nineteenth century for the deep reds and oranges of barely-flame coal — the warm saturated darks where the heat is internal rather than emitted. Sits in the bold-and-warm corner, slightly less luminous than burning and slightly less calm than rich.

Carmesí
noun

The Spanish word for crimson — borrowed via Arabic qirmiz (the kermes scale insect) and used in the deep red textiles of medieval Castilian and Valencian silk. The color refers to a carmesí-dyed Castilian silk: a saturated, slightly cool deep red with the satin finish of plant-and-insect dye. The Spanish cousin of crimson, slightly more formal in register.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#df3485
Original
#596787
Protanopia
#888781
Deuteranopia
#f11758
Tritanopia
#5e5e5e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.23:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.97:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DF3485
Display P3
Display P3
color(display-p3 0.8054 0.2664 0.5155)
P3 has visible headroomOKLCH chroma 0.215

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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