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Centered Ergo Ruby

#df282c
Notes

Centered Ergo Ruby (#DF282C) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (359°, 74%, 52%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#df282c
RGB
rgb(223, 40, 44)
HSL
hsl(359, 74%, 52%)
HWB
hwb(359 16% 13%)
OKLCH
oklch(58.4% 0.216 26.4)
P3
color(display-p3 0.8040 0.2348 0.2123)
HSV
hsv(359, 82%, 87%)
LAB
lab(48.75% 67.46 44.75)
LCH
lch(48.75% 80.95 33.56)
CMYK
cmyk(0%, 82%, 80%, 13%)

Etymology

Centered
adjective

Latin centrum, center — past-participle of center. As a color modifier, centered implies a saturated-and-grounded-and-balanced quality where the hue occupies the visual center of its palette without drift. Sits at the bold-and-balanced end of the grid, parallel to poised and grounded.

Ergo
modifier

Latin ergo, therefore-or-thus. As a color modifier, ergo implies a Latin-logical-and-cogito-ergo-sum quality, the visual register of Cartesian-cogito-ergo-sum hand-Latin-logical-and-cogito-ergo-sum Cartesian-cogito-ergo-sum-and-Scholastic-syllogism ergo-and-Latin-logical-and-cogito-ergo-sum surfaces under Cartesian-cogito-ergo-sum-and-Scholastic-syllogism Sorbonne-Scholastic-and-Cartesian-meditation logical-deduction-light. Sits at the modifier-and-Latin end of the grid, parallel to ipse and opus in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#df282c
Original
#655b29
Protanopia
#918223
Deuteranopia
#f6002d
Tritanopia
#4f4f4f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.69:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.48:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DF282C
Display P3
Display P3
color(display-p3 0.8040 0.2348 0.2123)
P3 has visible headroomOKLCH chroma 0.216

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

Canvas