Sonorous Sindoor
Sonorous Sindoor (#DF0613) is a true red with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (356°, 95%, 45%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin sonōrus, resounding — derived from sonus (sound). As a color modifier, sonorous implies a saturated-and-richly-vibrating quality where the hue carries the deep-resonance visual register of a cathedral-organ-pipe low-note. Sits at the bold-and-resonant end of the grid, parallel to resonant and deep in usage.
The vermillion powder applied to the parted hair of married Hindu women — traditionally derived from cinnabar and turmeric, more recently from synthetic dyes. The color refers to fresh sindoor in a wedding ceremony: a saturated, slightly orange-shifted bright red with the powdery finish of mineral pigment. Brighter than vermillion, warmer than coral, with the social weight of a color tied to a single life-stage marker.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.