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Animated Dijon

#ddc017
Notes

Animated Dijon (#DDC017) is a true amber with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (51°, 81%, 48%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ddc017
RGB
rgb(221, 192, 23)
HSL
hsl(51, 81%, 48%)
HWB
hwb(51 9% 13%)
OKLCH
oklch(80.8% 0.163 97.8)
P3
color(display-p3 0.8479 0.7571 0.2678)
HSV
hsv(51, 90%, 87%)
LAB
lab(77.96% -4.54 76.53)
LCH
lch(77.96% 76.67 93.39)
CMYK
cmyk(0%, 13%, 90%, 13%)

Etymology

Animated
adjective

Latin animātus, given-life — past-participle of animāre, derived from anima (soul, breath). As a color modifier, animated implies a saturated-and-life-given quality where the hue carries visual movement-and-vitality. Sits at the bright-and-active end of the grid, parallel to spirited and lively in usage.

Dijon
noun

The Burgundian capital that gave its name to the smooth, sharp prepared mustard developed there in the nineteenth century — moutarde de Dijon, made with verjuice instead of vinegar. The color refers to a freshly opened jar of Dijon: a warm, slightly muted gold-yellow that's deeper than honey and earthier than canary. The geographic indication Moutarde de Bourgogne protects a similar style; Dijon itself is now a generic term in commerce.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ddc017
Original
#d5bb00
Protanopia
#dcc529
Deuteranopia
#efb0a4
Tritanopia
#bababa
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.81:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
11.63:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DDC017
Display P3
Display P3
color(display-p3 0.8479 0.7571 0.2678)
P3 has subtle headroomOKLCH chroma 0.163

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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