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Jazzed Woven Goldenrod

#dda935
Notes

Jazzed Woven Goldenrod (#DDA935) is a true amber with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (41°, 71%, 54%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#dda935
RGB
rgb(221, 169, 53)
HSL
hsl(41, 71%, 54%)
HWB
hwb(41 21% 13%)
OKLCH
oklch(76.4% 0.140 83.1)
P3
color(display-p3 0.8351 0.6708 0.3005)
HSV
hsv(41, 76%, 87%)
LAB
lab(72.23% 8.37 63.39)
LCH
lch(72.23% 63.94 82.48)
CMYK
cmyk(0%, 24%, 76%, 13%)

Etymology

Jazzed
adjective

American slang jazz, liveliness — past-participle of jazz. As a color modifier, jazzed implies a saturated-and-excited-and-active quality, the bright color of American-Jazz-Age poster-and-album-cover saturated-and-rhythmic graphic-design. Sits at the bright-and-active end of the grid, parallel to caffeinated and wired in usage.

Woven
modifier

Old English wefan, to-weave. As a color modifier, woven implies a hand-loomed-warp-and-weft quality, the visual register of hand-loom-and-jacquard-loom hand-woven-and-loomed warp-and-weft hand-woven-and-loomed-textile surfaces under hand-woven-and-loomed-textile workshop-light. Sits at the modifier-and-texture end of the grid, parallel to spun and knit in usage.

Goldenrod
noun

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#dda935
Original
#bfa921
Protanopia
#cbb73a
Deuteranopia
#f09992
Tritanopia
#acacac
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.14:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.80:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DDA935
Display P3
Display P3
color(display-p3 0.8351 0.6708 0.3005)
P3 has subtle headroomOKLCH chroma 0.140

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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