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Lordly Karakurenai

#dd513c
Notes

Lordly Karakurenai (#DD513C) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (8°, 70%, 55%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#dd513c
RGB
rgb(221, 81, 60)
HSL
hsl(8, 70%, 55%)
HWB
hwb(8 24% 13%)
OKLCH
oklch(62.0% 0.179 31.1)
P3
color(display-p3 0.8032 0.3551 0.2705)
HSV
hsv(8, 73%, 87%)
LAB
lab(53.59% 53.53 41.13)
LCH
lch(53.59% 67.50 37.54)
CMYK
cmyk(0%, 63%, 73%, 13%)

Etymology

Lordly
adjective

Old English hlāford-līc, lord-like — adjectival suffix -ly. As a color modifier, lordly implies a saturated-and-aristocratic-and-haughty quality, the deep-rich color of pre-modern English-and-French manorial-aristocracy livery and hereditary-estate household-textile. Sits at the bold-and-aristocratic end of the grid, parallel to princely and patrician.

Karakurenai
noun

Literally Chinese crimson in Japanese — the deep, saturated red associated with imported Tang-dynasty silks and the Heian-period aristocratic taste for continental luxury. The color refers to a karakurenai-dyed silk preserved in the Imperial Repository at Shōsō-in: a saturated, slightly cool deep red with the matte finish of layered aka-kō dye. Deeper than akane, cooler than vermillion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#dd513c
Original
#786d39
Protanopia
#9b8b37
Deuteranopia
#f32d4d
Tritanopia
#6d6d6d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.95:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.32:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DD513C
Display P3
Display P3
color(display-p3 0.8032 0.3551 0.2705)
P3 has subtle headroomOKLCH chroma 0.179

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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