colors
Back to gallery

Unwavering Bard Crimson

#dd4f67
Notes

Unwavering Bard Crimson (#DD4F67) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (350°, 68%, 59%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#dd4f67
RGB
rgb(221, 79, 103)
HSL
hsl(350, 68%, 59%)
HWB
hwb(350 31% 13%)
OKLCH
oklch(62.5% 0.177 13.8)
P3
color(display-p3 0.8028 0.3485 0.4121)
HSV
hsv(350, 64%, 87%)
LAB
lab(53.97% 57.01 16.85)
LCH
lch(53.97% 59.44 16.46)
CMYK
cmyk(0%, 64%, 53%, 13%)

Etymology

Unwavering
adjective

Old English un- (negation) plus wafrian (to flicker). As a color modifier, unwavering implies a saturated-and-constant quality where the hue maintains its full strength without flicker or shift. Sits at the bold-and-firm end of the grid, parallel to steadfast and firm in usage.

Bard
modifier

Welsh bardd, poet. As a color modifier, bard implies a Welsh-and-Irish-poet-and-storyteller quality, the visual register of Welsh-Eisteddfod-and-Irish-Bardic hand-spoken poet-and-harp-and-eisteddfod oral-tradition Celtic-bardic surfaces under Welsh-Eisteddfod-and-Irish-Bardic hand-spoken-poet-and-harp oral-tradition Celtic-bardic gathering light. Sits at the modifier-and-cultural end of the grid, parallel to druid and celtic in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#dd4f67
Original
#716f67
Protanopia
#958c64
Deuteranopia
#f13558
Tritanopia
#6f6f6f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.90:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.39:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DD4F67
Display P3
Display P3
color(display-p3 0.8028 0.3485 0.4121)
P3 has subtle headroomOKLCH chroma 0.177

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas