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Conquering Khmer Crimson

#dd023e
Notes

Conquering Khmer Crimson (#DD023E) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (344°, 98%, 44%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#dd023e
RGB
rgb(221, 2, 62)
HSL
hsl(344, 98%, 44%)
HWB
hwb(344 1% 13%)
OKLCH
oklch(56.9% 0.227 18.7)
P3
color(display-p3 0.7946 0.1703 0.2630)
HSV
hsv(344, 99%, 87%)
LAB
lab(46.67% 72.98 32.02)
LCH
lch(46.67% 79.70 23.68)
CMYK
cmyk(0%, 99%, 72%, 13%)

Etymology

Conquering
adjective

Latin conquīrere, to seek thoroughly — present-participle of conquer. As a color modifier, conquering implies a saturated-and-overwhelming-and-victorious quality where the hue overcomes neighboring colors through pure pigmentation strength. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and dominant.

Khmer
modifier

Sanskrit Khmer, Cambodian. As a color modifier, khmer implies an Angkorian-and-temple-complex quality, the visual register of Angkor-Wat-and-Bayon Khmer-Empire hand-built sandstone-and-laterite temple-and-jungle-overgrown-stonework surfaces under Angkor-Wat-and-Bayon Cambodian-jungle-canopy filtered tropical light. Sits at the modifier-and-cultural end of the grid, parallel to toltec and median in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#dd023e
Original
#59543e
Protanopia
#8a7d37
Deuteranopia
#f30025
Tritanopia
#353535
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.06:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.15:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DD023E
Display P3
Display P3
color(display-p3 0.7946 0.1703 0.2630)
P3 has visible headroomOKLCH chroma 0.227

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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