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Burning Tile Goldenrod

#dca834
Notes

Burning Tile Goldenrod (#DCA834) is a true amber with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (41°, 71%, 53%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#dca834
RGB
rgb(220, 168, 52)
HSL
hsl(41, 71%, 53%)
HWB
hwb(41 20% 14%)
OKLCH
oklch(76.1% 0.140 83.0)
P3
color(display-p3 0.8312 0.6669 0.2972)
HSV
hsv(41, 76%, 86%)
LAB
lab(71.87% 8.43 63.38)
LCH
lch(71.87% 63.94 82.42)
CMYK
cmyk(0%, 24%, 76%, 14%)

Etymology

Burning
adjective

The progressive participle of burn — used as a color modifier for hues that read as actively luminous, as if combustion is in progress. Burning red, burning orange: the implication is high saturation combined with thermal heat. Sits in the bright-and-warm corner alongside hot and flame. Slightly more active than smoldering.

Tile
modifier

Old English tigele, roof-tile. As a color modifier, tile implies a fired-clay-or-stone-flat quality, the visual register of Spanish-and-Italian-and-Persian-tile hand-fired-and-glazed clay-and-stone-and-marble Spanish-and-Italian-and-Persian-tile surfaces under Spanish-and-Italian-and-Persian-tile workshop-light. Sits at the modifier-and-texture end of the grid, parallel to slab and plate in usage.

Goldenrod
noun

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#dca834
Original
#bea820
Protanopia
#cab63a
Deuteranopia
#ef9891
Tritanopia
#ababab
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.17:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.69:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DCA834
Display P3
Display P3
color(display-p3 0.8312 0.6669 0.2972)
P3 has subtle headroomOKLCH chroma 0.140

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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