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Manic Titan Goldenrod

#dca60a
Notes

Manic Titan Goldenrod (#DCA60A) is a true amber with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (45°, 91%, 45%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#dca60a
RGB
rgb(220, 166, 10)
HSL
hsl(45, 91%, 45%)
HWB
hwb(45 4% 14%)
OKLCH
oklch(75.5% 0.153 84.8)
P3
color(display-p3 0.8302 0.6595 0.2282)
HSV
hsv(45, 95%, 86%)
LAB
lab(71.22% 8.50 73.37)
LCH
lch(71.22% 73.86 83.40)
CMYK
cmyk(0%, 25%, 95%, 14%)

Etymology

Manic
adjective

Greek manikós, raving / mad — sharing root with mania. As a color modifier, manic implies a saturated-and-overstimulated-and-extreme quality, the bright color of Andy-Warhol-and-Pop-Art late-Pop-Art repeated-and-multiplied portrait color schemes. Sits at the bright-and-active end of the grid, parallel to hyper and frenetic in usage.

Titan
modifier

Greek Τιτάν, primeval-Titan-or-Saturn-moon. As a color modifier, titan implies a Saturn-moon-and-methane-haze-and-primeval quality, the visual register of Saturn-moon-Titan-and-Cassini-Huygens hand-Saturn-moon-and-methane-haze-and-primeval Saturn-moon-Titan-and-Cassini-Huygens-and-Kraken-Mare titan-and-Saturn-moon-and-methane-haze surfaces under Saturn-moon-Titan-and-Cassini-Huygens-and-Kraken-Mare orange-haze-and-cryo-volcano-and-methane-lake outer-system-light. Sits at the modifier-and-cosmic end of the grid, parallel to saturn and neptune in usage.

Goldenrod
noun

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#dca60a
Original
#bda600
Protanopia
#cab41b
Deuteranopia
#f0958d
Tritanopia
#a6a6a6
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.21:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.50:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DCA60A
Display P3
Display P3
color(display-p3 0.8302 0.6595 0.2282)
P3 has subtle headroomOKLCH chroma 0.153

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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