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Pressed Nineveh

#dc94dd
Notes

Pressed Nineveh (#DC94DD) is a soft violet with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (299°, 52%, 72%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#dc94dd
RGB
rgb(220, 148, 221)
HSL
hsl(299, 52%, 72%)
HWB
hwb(299 58% 13%)
OKLCH
oklch(76.2% 0.128 326.3)
P3
color(display-p3 0.8217 0.5927 0.8500)
HSV
hsv(299, 33%, 87%)
LAB
lab(70.61% 38.64 -26.22)
LCH
lch(70.61% 46.70 325.84)
CMYK
cmyk(0%, 33%, 0%, 13%)

Etymology

Pressed
adjective

Latin pressāre, to press — past-participle of press. As a color modifier, pressed implies a clear-and-smoothed-and-flattened quality, the crisp color of Mid-Century-Modern freshly-pressed-shirt-and-trouser ironed-textile finish. Sits at the crisp-and-finished end of the grid, parallel to ironed and starched in usage.

Nineveh
noun

Assyrian capital (modern Mosul, Iraq) — the imperial court of Sennacherib (705–681 BCE), where Tyrian purple tribute textiles were imported from the Phoenician coast. Nineveh color refers to an Assyrian-court purpura-bordered tribute textile in the Library of Ashurbanipal: a saturated, slightly cool deep violet with the matte finish of multi-bath shellfish dye on hand-loomed Mesopotamian wool.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#dc94dd
Original
#8ea7e0
Protanopia
#a0b0db
Deuteranopia
#e09baf
Tritanopia
#a9a9a9
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.25:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.32:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DC94DD
Display P3
Display P3
color(display-p3 0.8217 0.5927 0.8500)
P3 has subtle headroomOKLCH chroma 0.128

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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