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Heavy Sindoor

#dc587d
Notes

Heavy Sindoor (#DC587D) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (343°, 65%, 60%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#dc587d
RGB
rgb(220, 88, 125)
HSL
hsl(343, 65%, 60%)
HWB
hwb(343 35% 14%)
OKLCH
oklch(64.0% 0.168 5.8)
P3
color(display-p3 0.8013 0.3782 0.4912)
HSV
hsv(343, 60%, 86%)
LAB
lab(55.77% 54.79 6.31)
LCH
lch(55.77% 55.15 6.57)
CMYK
cmyk(0%, 60%, 43%, 14%)

Etymology

Heavy
adjective

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Sindoor
noun

The vermillion powder applied to the parted hair of married Hindu women — traditionally derived from cinnabar and turmeric, more recently from synthetic dyes. The color refers to fresh sindoor in a wedding ceremony: a saturated, slightly orange-shifted bright red with the powdery finish of mineral pigment. Brighter than vermillion, warmer than coral, with the social weight of a color tied to a single life-stage marker.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#dc587d
Original
#72757e
Protanopia
#958f7a
Deuteranopia
#ee4866
Tritanopia
#777777
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.66:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.74:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DC587D
Display P3
Display P3
color(display-p3 0.8013 0.3782 0.4912)
P3 has subtle headroomOKLCH chroma 0.168

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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