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Iridescent Hashita

#dc4fdf
Notes

Iridescent Hashita (#DC4FDF) is a true violet with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (299°, 69%, 59%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#dc4fdf
RGB
rgb(220, 79, 223)
HSL
hsl(299, 69%, 59%)
HWB
hwb(299 31% 13%)
OKLCH
oklch(67.0% 0.237 327.0)
P3
color(display-p3 0.7992 0.3481 0.8487)
HSV
hsv(299, 65%, 87%)
LAB
lab(58.17% 71.82 -46.72)
LCH
lch(58.17% 85.68 326.95)
CMYK
cmyk(1%, 65%, 0%, 13%)

Etymology

Iridescent
adjective

Latin Īris, rainbow — adjectival suffix -escent, named for the Greek goddess of the rainbow. As a color modifier, iridescent implies a saturated-and-multi-spectrum-shifting quality, the bright color of peacock-feather-and-soap-bubble structurally-colored-and-thin-film optical-interference patterns. Sits at the bright-and-shifting end of the grid, parallel to prismatic and holographic in usage.

Hashita
noun

Japanese 半色, half-color — the technical Heian-court term for any kasane layer combination yielding a specific hue rather than a primary one. Hashita color refers to a Heian-period hashita-iro combination of a single-bath gromwell-and-indigo: a saturated, slightly cool deep violet with the silk luster of layered single-bath natural dye on hand-spun silk crepe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#dc4fdf
Original
#3880e3
Protanopia
#7092db
Deuteranopia
#e26391
Tritanopia
#777777
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.37:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.23:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DC4FDF
Display P3
Display P3
color(display-p3 0.7992 0.3481 0.8487)
P3 has visible headroomOKLCH chroma 0.237

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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