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Replete Seth Ruby

#dc278f
Notes

Replete Seth Ruby (#DC278F) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (326°, 72%, 51%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#dc278f
RGB
rgb(220, 39, 143)
HSL
hsl(326, 72%, 51%)
HWB
hwb(326 15% 14%)
OKLCH
oklch(60.2% 0.228 351.9)
P3
color(display-p3 0.7931 0.2304 0.5505)
HSV
hsv(326, 82%, 86%)
LAB
lab(50.28% 73.38 -12.49)
LCH
lch(50.28% 74.43 350.34)
CMYK
cmyk(0%, 82%, 35%, 14%)

Etymology

Replete
adjective

Latin replētus, filled — past-participle of replēre. As a color modifier, replete implies a saturated-and-fully-pigmented quality where the hue is completely loaded with its source pigment. Sits at the bold-and-saturated end of the grid, parallel to brimming and suffused in usage.

Seth
modifier

Egyptian Set, god-of-storms-and-desert-chaos. As a color modifier, seth implies a desert-storm-and-chaos-god quality, the visual register of Egyptian-Seth-and-Ombos-temple hand-desert-storm-and-chaos-god Egyptian-Seth-and-Ombos-temple-and-Osirian-conflict seth-and-desert-storm-and-chaos-god surfaces under Egyptian-Seth-and-Ombos-temple-and-Osirian-conflict Western-Desert-and-storm-cloud red-desert-storm-light. Sits at the modifier-and-myth end of the grid, parallel to horus and ptah in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#dc278f
Original
#4d6391
Protanopia
#81838b
Deuteranopia
#ed0b59
Tritanopia
#555555
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.44:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.73:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DC278F
Display P3
Display P3
color(display-p3 0.7931 0.2304 0.5505)
P3 has visible headroomOKLCH chroma 0.228

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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Canvas