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Heroic Aries Crimson

#dc253d
Notes

Heroic Aries Crimson (#DC253D) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (352°, 72%, 50%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#dc253d
RGB
rgb(220, 37, 61)
HSL
hsl(352, 72%, 50%)
HWB
hwb(352 15% 14%)
OKLCH
oklch(57.9% 0.214 21.4)
P3
color(display-p3 0.7929 0.2256 0.2626)
HSV
hsv(352, 83%, 86%)
LAB
lab(48.11% 67.92 34.26)
LCH
lch(48.11% 76.08 26.77)
CMYK
cmyk(0%, 83%, 72%, 14%)

Etymology

Heroic
adjective

Latin hēroicus, of a hero — derived from Greek hērōs. As a color modifier, heroic implies a saturated-and-monumental-and-victorious quality, the deep-rich color of Wagner-and-Sibelius late-Romantic-era musical-and-painterly heroic-mode. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and valiant.

Aries
modifier

Latin aries, ram-of-the-fleece. As a color modifier, aries implies a ram-and-fire-sign-and-Mars-ruled-cardinal-fire quality, the visual register of Babylonian-ram-and-Greek-Aries hand-ram-and-fire-sign-and-Mars-ruled-cardinal-fire Babylonian-ram-and-Greek-Aries-and-Golden-Fleece aries-and-ram-and-fire-sign surfaces under Babylonian-ram-and-Greek-Aries-and-Golden-Fleece spring-equinox-and-March-and-April fire-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to taurus and gemini in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#dc253d
Original
#615a3c
Protanopia
#8d8037
Deuteranopia
#f20031
Tritanopia
#4e4e4e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.80:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.38:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DC253D
Display P3
Display P3
color(display-p3 0.7929 0.2256 0.2626)
P3 has visible headroomOKLCH chroma 0.214

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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