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Commanding Gilt Crimson

#dc223d
Notes

Commanding Gilt Crimson (#DC223D) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (351°, 73%, 50%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#dc223d
RGB
rgb(220, 34, 61)
HSL
hsl(351, 73%, 50%)
HWB
hwb(351 13% 14%)
OKLCH
oklch(57.7% 0.215 21.0)
P3
color(display-p3 0.7927 0.2187 0.2621)
HSV
hsv(351, 85%, 86%)
LAB
lab(47.88% 68.57 34.00)
LCH
lch(47.88% 76.54 26.37)
CMYK
cmyk(0%, 85%, 72%, 14%)

Etymology

Commanding
adjective

Latin commendāre, to entrust / order — present-participle of command. As a color modifier, commanding implies a saturated-and-authoritative quality where the hue claims visual leadership of its surrounding palette. Sits at the bold-and-authoritative end of the grid, parallel to authoritative and imperial in usage.

Gilt
modifier

Old English gyldan, to-gild. As a color modifier, gilt implies a thin-gold-leaf-coating quality, the visual register of medieval-illuminated-manuscript-and-Renaissance-altarpiece hand-applied-and-burnished gold-leaf-coating gilt-and-gold-leaf surfaces under medieval-and-Renaissance hand-applied-gilt altarpiece-and-manuscript light. Sits at the modifier-and-texture end of the grid, parallel to gold and gloss in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#dc223d
Original
#60593c
Protanopia
#8d7f36
Deuteranopia
#f2002f
Tritanopia
#4b4b4b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.84:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.34:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DC223D
Display P3
Display P3
color(display-p3 0.7927 0.2187 0.2621)
P3 has visible headroomOKLCH chroma 0.215

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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