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Weighty Forum Crimson

#dc1139
Notes

Weighty Forum Crimson (#DC1139) is a true red with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (348°, 86%, 46%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#dc1139
RGB
rgb(220, 17, 57)
HSL
hsl(348, 86%, 46%)
HWB
hwb(348 7% 14%)
OKLCH
oklch(57.0% 0.223 20.8)
P3
color(display-p3 0.7916 0.1869 0.2475)
HSV
hsv(348, 92%, 86%)
LAB
lab(46.87% 71.18 35.19)
LCH
lch(46.87% 79.41 26.30)
CMYK
cmyk(0%, 92%, 74%, 14%)

Etymology

Weighty
adjective

Old English wegan, to weigh — adjectival suffix -y. As a color modifier, weighty implies a saturated-and-heavy-and-imposing quality where the hue carries visual mass and gravitational presence. Sits at the bold-and-weighty end of the grid, parallel to substantial and hefty in usage.

Forum
modifier

Latin forum, open-space-of-Roman-city. As a color modifier, forum implies a Roman-and-civic-meeting-square quality, the visual register of Roman-Forum-and-Pompeii-Forum hand-built civic-meeting-square forum-and-basilica-and-rostrum Republican-and-Imperial-Roman architectural surfaces under Roman-Forum-and-Pompeii civic-meeting-square light. Sits at the modifier-and-architecture end of the grid, parallel to agora and stoa in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#dc1139
Original
#5c5538
Protanopia
#8b7d32
Deuteranopia
#f20026
Tritanopia
#3f3f3f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.02:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.18:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DC1139
Display P3
Display P3
color(display-p3 0.7916 0.1869 0.2475)
P3 has visible headroomOKLCH chroma 0.223

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

Canvas