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Electric Gemini Goldenrod

#dba126
Notes

Electric Gemini Goldenrod (#DBA126) is a true amber with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (41°, 72%, 50%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#dba126
RGB
rgb(219, 161, 38)
HSL
hsl(41, 72%, 50%)
HWB
hwb(41 15% 14%)
OKLCH
oklch(74.5% 0.144 80.5)
P3
color(display-p3 0.8243 0.6407 0.2614)
HSV
hsv(41, 83%, 86%)
LAB
lab(69.96% 11.26 66.37)
LCH
lch(69.96% 67.32 80.37)
CMYK
cmyk(0%, 26%, 83%, 14%)

Etymology

Electric
adjective

From the Greek elektron, amber — the substance whose static-electric properties were observed by Thales of Miletus. Used as a color modifier since the late nineteenth century after electric light made certain saturated colors feel attention-demanding. Electric blue, electric pink: the implication is hot luminance combined with optical impact. Sits at the bright-bucket extreme.

Gemini
modifier

Latin gemini, twins-of-the-zodiac. As a color modifier, gemini implies a twins-and-air-sign-and-Mercury-ruled-mutable-air quality, the visual register of Castor-and-Pollux-Gemini-twins hand-twins-and-air-sign-and-Mercury-ruled-mutable-air Castor-and-Pollux-Gemini-twins-and-Argonaut-twins gemini-and-twins-and-air-sign surfaces under Castor-and-Pollux-Gemini-twins-and-Argonaut-twins late-spring-and-May-and-June mutable-air-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to castor and pollux in usage.

Goldenrod
noun

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#dba126
Original
#b8a202
Protanopia
#c6b12c
Deuteranopia
#ee908a
Tritanopia
#a4a4a4
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.30:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.14:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DBA126
Display P3
Display P3
color(display-p3 0.8243 0.6407 0.2614)
P3 has subtle headroomOKLCH chroma 0.144

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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