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Gallant Hun Crimson

#db5d58
Notes

Gallant Hun Crimson (#DB5D58) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (2°, 65%, 60%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#db5d58
RGB
rgb(219, 93, 88)
HSL
hsl(2, 65%, 60%)
HWB
hwb(2 35% 14%)
OKLCH
oklch(63.7% 0.159 24.9)
P3
color(display-p3 0.7989 0.3949 0.3638)
HSV
hsv(2, 60%, 86%)
LAB
lab(55.68% 49.04 27.84)
LCH
lch(55.68% 56.39 29.59)
CMYK
cmyk(0%, 58%, 60%, 14%)

Etymology

Gallant
adjective

Old French galant, brave / charming — present-participle of galer (to make merry). As a color modifier, gallant implies a saturated-and-chivalrous-and-confident quality, the deep-rich color of Three-Musketeers and Cyrano-de-Bergerac swashbuckling adventure tradition. Sits at the bold-and-chivalrous end of the grid, parallel to valiant and heroic.

Hun
modifier

Greek Hunni, Huns. As a color modifier, hun implies a Central-Asian-steppe-migration quality, the visual register of Attila-the-Hun late-Roman-period Central-Asian steppe-migration-and-mounted-archery hand-built warrior-camp surfaces under Central-Asian-steppe-and-Pannonian-plain Hunnic-Age horse-archer light. Sits at the modifier-and-cultural end of the grid, parallel to vandal and goth in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#db5d58
Original
#7c7557
Protanopia
#9c8f55
Deuteranopia
#ef465d
Tritanopia
#777777
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.67:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.72:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DB5D58
Display P3
Display P3
color(display-p3 0.7989 0.3949 0.3638)
P3 has subtle headroomOKLCH chroma 0.159

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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