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Buzzing Bishop

#db58cd
Notes

Buzzing Bishop (#DB58CD) is a true violet with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (306°, 65%, 60%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#db58cd
RGB
rgb(219, 88, 205)
HSL
hsl(306, 65%, 60%)
HWB
hwb(306 35% 14%)
OKLCH
oklch(66.9% 0.211 332.0)
P3
color(display-p3 0.7977 0.3778 0.7828)
HSV
hsv(306, 60%, 86%)
LAB
lab(58.46% 65.02 -36.08)
LCH
lch(58.46% 74.36 330.97)
CMYK
cmyk(0%, 60%, 6%, 14%)

Etymology

Buzzing
adjective

The progressive participle of buzz — borrowed metaphorically as a color word since the late twentieth century for hues that read as visually loud and slightly destabilizing. Buzzing yellow, buzzing magenta: the implication is saturation pushed past comfortable into the realm of optical agitation. Sits at the bright-bucket extreme alongside electric.

Bishop
noun

Greek epískopos via Latin episcopus, overseer — the ecclesiastical office whose Roman-Catholic and Anglican vesture includes a deep-violet cassock under white rochet and chimere. Bishop color refers to a contemporary Roman-Catholic episcopal cassock: a saturated, slightly cool deep violet with the matte finish of vat-dyed liturgical wool. Distinct from the deep-red cardinal cassock and the white papal cassock.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#db58cd
Original
#5381d1
Protanopia
#7d93c9
Deuteranopia
#e4638b
Tritanopia
#7c7c7c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.34:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.29:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DB58CD
Display P3
Display P3
color(display-p3 0.7977 0.3778 0.7828)
P3 has visible headroomOKLCH chroma 0.211

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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