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Alit Iconostasis

#db3fde
Notes

Alit Iconostasis (#DB3FDE) is a true violet with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (299°, 71%, 56%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#db3fde
RGB
rgb(219, 63, 222)
HSL
hsl(299, 71%, 56%)
HWB
hwb(299 25% 13%)
OKLCH
oklch(65.4% 0.254 327.2)
P3
color(display-p3 0.7926 0.2966 0.8438)
HSV
hsv(299, 72%, 87%)
LAB
lab(55.98% 77.04 -49.64)
LCH
lch(55.98% 91.65 327.21)
CMYK
cmyk(1%, 72%, 0%, 13%)

Etymology

Alit
adjective

Old English ā-lihtan, to alight — past-participle of alight. As a color modifier, alit implies a saturated-and-just-illuminated quality, the bright color of evening-streetlamp and Christmas-tree-light freshly-switched-on emission. Sits at the bright-and-warm end of the grid, parallel to aflame and aglow in usage.

Iconostasis
noun

Russian and Greek Orthodox icon screen — the multi-tier wall of religious icons that separates the naos (nave) from the bema (sanctuary) in an Orthodox church, traditionally rendered in deep-violet-and-gold-leaf. Iconostasis color refers to a 14th-century Novgorod-school iconostasis royal-doors panel: a saturated, slightly cool deep violet with the matte finish of egg-tempera ultramarine-and-cinnabar on gilt gesso ground.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#db3fde
Original
#1a79e2
Protanopia
#678dda
Deuteranopia
#e1588b
Tritanopia
#6c6c6c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.63:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.78:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DB3FDE
Display P3
Display P3
color(display-p3 0.7926 0.2966 0.8438)
P3 has visible headroomOKLCH chroma 0.254

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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