Velvety Wraith Fuchsia

An adjectival form of velvet, used since the eighteenth century for colors that read as if they had the matte light-absorbing quality of velvet. Implies high saturation combined with a non-glossy surface — the matte richness of a deep wine in a fabric rather than in a glass. Sits in the bold-and-deep corner of the grid alongside plush and lush.

Scots wraith, ghost-or-apparition. As a color modifier, wraith implies a ghostly-and-pale-and-apparitional quality, the visual register of Highland-Scots-and-Border-Ballad-wraith hand-ghostly-and-pale-and-apparitional Highland-Scots-and-Border-Ballad-and-Hebridean wraith-and-ghostly-and-pale surfaces under Highland-Scots-and-Border-Ballad-and-Hebridean moonlit-and-mist-shrouded-and-pale graveyard-and-tarn-light. Sits at the modifier-and-mood end of the grid, parallel to pall and gloam in usage.

The genus Fuchsia — South American shrubs named in 1703 for the German botanist Leonhart Fuchs. The color refers to the calyx and tube of a vibrant Fuchsia magellanica hybrid: a saturated, slightly cool deep pink-magenta with the satiny finish of a tubular hummingbird-pollinated flower. Brighter than rose, warmer than orchid, with the bedding-and-basket weight of a plant genus whose flowers gave English the most attention-demanding pink in the spectrum.