Manic Sirocco Goldenrod

Greek manikós, raving / mad — sharing root with mania. As a color modifier, manic implies a saturated-and-overstimulated-and-extreme quality, the bright color of Andy-Warhol-and-Pop-Art late-Pop-Art repeated-and-multiplied portrait color schemes. Sits at the bright-and-active end of the grid, parallel to hyper and frenetic in usage.

Arabic sharq, eastern-or-Saharan-wind. As a color modifier, sirocco implies a hot-Saharan-and-Mediterranean-wind quality, the visual register of Saharan-and-Sicilian-and-Maltese-sirocco hand-hot-Saharan-and-Mediterranean-wind Saharan-and-Sicilian-and-Maltese-sirocco-and-North-African sirocco-and-hot-Saharan-and-Mediterranean-wind surfaces under Saharan-and-Sicilian-and-Maltese-sirocco-and-North-African Sahara-and-Sicily-and-Malta-and-Tunis hot-North-African-wind-light. Sits at the modifier-and-weather end of the grid, parallel to mistral and zephyr in usage.

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.