Frenetic Tunic Goldenrod

Greek phrenitikós, frenzied — adjectival suffix -ic, derived from phrēn (mind). As a color modifier, frenetic implies a saturated-and-frenzied-and-active quality, the bright color of Hyper-Color-and-Memphis-Group 1980s-design saturated-and-active visual-rhythm. Sits at the bright-and-active end of the grid, parallel to frantic and manic in usage.

Latin tunica, Roman-undergarment. As a color modifier, tunic implies a Roman-tunic-and-medieval-undergarment quality, the visual register of Roman-tunic-and-medieval-bliaut hand-Roman-tunic-and-medieval-undergarment Roman-tunic-and-medieval-bliaut-and-Carolingian-court tunic-and-Roman-tunic-and-medieval-undergarment surfaces under Roman-tunic-and-medieval-bliaut-and-Carolingian-court Republican-and-Carolingian-Aachen Roman-and-medieval-light. Sits at the modifier-and-textile end of the grid, parallel to chiton and peplos in usage.

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.