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Saturated Scorpio Brick

#da605e
Notes

Saturated Scorpio Brick (#DA605E) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (1°, 63%, 61%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#da605e
RGB
rgb(218, 96, 94)
HSL
hsl(1, 63%, 61%)
HWB
hwb(1 37% 15%)
OKLCH
oklch(64.0% 0.154 23.4)
P3
color(display-p3 0.7962 0.4049 0.3846)
HSV
hsv(1, 57%, 85%)
LAB
lab(56.17% 47.71 24.98)
LCH
lch(56.17% 53.85 27.64)
CMYK
cmyk(0%, 56%, 57%, 15%)

Etymology

Saturated
adjective

From the Latin saturatus, past participle of saturare, to fill. A technical color term in modern usage — saturation is one of the three axes of HSL (with hue and lightness). As a modifier, saturated implies that the hue is at or near its maximum chromatic intensity. Sits at the bold-and-bright top of the grid.

Scorpio
modifier

Latin scorpio, scorpion-of-the-zodiac. As a color modifier, scorpio implies a scorpion-and-water-sign-and-Mars-Pluto-ruled-fixed-water quality, the visual register of Hellenic-Scorpio-and-Orion-myth-scorpion hand-scorpion-and-water-sign-and-Mars-Pluto-ruled-fixed-water Hellenic-Scorpio-and-Orion-myth-scorpion-and-Antares scorpio-and-scorpion-and-water-sign surfaces under Hellenic-Scorpio-and-Orion-myth-scorpion-and-Antares mid-autumn-and-October-and-November fixed-water-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to libra and sagittarius in usage.

Brick
noun

Fired clay, mineral red. The color refers to common building brick — iron-rich earthenware kilned to the specific dusky red-orange of a Victorian terrace, a Roman aqueduct, an adobe wall in New Mexico. Less saturated than ruby, warmer than burgundy, with a chalky cast that reads as architectural rather than decorative.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#da605e
Original
#7e775d
Protanopia
#9c905b
Deuteranopia
#ee4b60
Tritanopia
#7a7a7a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.61:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.82:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DA605E
Display P3
Display P3
color(display-p3 0.7962 0.4049 0.3846)
P3 has subtle headroomOKLCH chroma 0.154

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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