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Indomitable Mope Ruby

#da5d64
Notes

Indomitable Mope Ruby (#DA5D64) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (357°, 63%, 61%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#da5d64
RGB
rgb(218, 93, 100)
HSL
hsl(357, 63%, 61%)
HWB
hwb(357 36% 15%)
OKLCH
oklch(63.8% 0.157 19.3)
P3
color(display-p3 0.7954 0.3946 0.4043)
HSV
hsv(357, 57%, 85%)
LAB
lab(55.74% 49.59 20.93)
LCH
lch(55.74% 53.82 22.89)
CMYK
cmyk(0%, 57%, 54%, 15%)

Etymology

Indomitable
adjective

Latin indomitābilis, unconquerable — derived from domāre (to tame). As a color modifier, indomitable implies a saturated-and-unconquerable-and-fierce quality where the hue resists any attempt to subdue or modulate its presence. Sits at the bold-and-resilient end of the grid, parallel to unyielding and adamant.

Mope
modifier

Origin obscure, attested c. 1568, to-be-listless-and-dejected. As a color modifier, mope implies a listless-and-dejected-and-slumped quality, the visual register of Victorian-melancholy-and-rainy-Sunday-mope hand-listless-and-dejected-and-slumped Victorian-melancholy-and-rainy-Sunday-and-bored-afternoon moped-and-listless-and-dejected-and-slumped surfaces under Victorian-melancholy-and-rainy-Sunday-and-bored-afternoon dripping-eaves-and-grey-window slumped-window-seat-light. Sits at the modifier-and-mood end of the grid, parallel to brood and sigh in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#da5d64
Original
#7a7563
Protanopia
#9a8f61
Deuteranopia
#ed4960
Tritanopia
#787878
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.66:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.73:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DA5D64
Display P3
Display P3
color(display-p3 0.7954 0.3946 0.4043)
P3 has subtle headroomOKLCH chroma 0.157

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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