Diluted Chá
Diluted Chá (#D9C4A9) is a soft orange with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (34°, 39%, 76%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin dīluere, to wash away — past-participle of dilute. As a color modifier, diluted implies a pale-and-water-thinned quality where the hue has been substantially mixed with neutral-or-water medium to reduce its saturation. Sits at the pale-and-diluted end of the grid, parallel to watery and thinned in usage.
The Chinese word for tea — used as a color word for the warm brown of brewed tea liquor and the wood of chá-jī (tea tables). The color refers to fresh-brewed Pu-erh tea in a porcelain cup: a soft, slightly cool deep brown with the optical depth of well-fermented tea. Cooler than caramel, drier than mahogany.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.