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Punchy Omen Rose

#d9607d
Notes

Punchy Omen Rose (#D9607D) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (346°, 61%, 61%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d9607d
RGB
rgb(217, 96, 125)
HSL
hsl(346, 61%, 61%)
HWB
hwb(346 38% 15%)
OKLCH
oklch(64.6% 0.154 7.5)
P3
color(display-p3 0.7927 0.4046 0.4924)
HSV
hsv(346, 56%, 85%)
LAB
lab(56.69% 50.14 7.56)
LCH
lch(56.69% 50.70 8.58)
CMYK
cmyk(0%, 56%, 42%, 15%)

Etymology

Punchy
adjective

A modern adjectival form of punch, to strike sharply. Used as a color word since the early twentieth century for hues that read as highly contrasting and visually loud. Punchy red, punchy yellow: the implication is full saturation combined with optical impact. Sits across the bold and bright buckets, near vivid and striking.

Omen
modifier

Latin omen, prophetic-sign-or-portent. As a color modifier, omen implies a prophetic-sign-and-augur-and-portent quality, the visual register of Roman-augur-omen-and-Etruscan-haruspex hand-prophetic-sign-and-augur-and-portent Roman-augur-omen-and-Etruscan-haruspex-and-bird-flight omen-and-prophetic-sign-and-augur surfaces under Roman-augur-omen-and-Etruscan-haruspex-and-bird-flight Capitoline-Hill-and-Etruscan-templum prophetic-sign-light. Sits at the modifier-and-myth end of the grid, parallel to sigil and rune in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d9607d
Original
#78797e
Protanopia
#97917a
Deuteranopia
#ea526b
Tritanopia
#7c7c7c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.55:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.92:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D9607D
Display P3
Display P3
color(display-p3 0.7927 0.4046 0.4924)
P3 has subtle headroomOKLCH chroma 0.154

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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