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Praetorian Chiton Rose

#d95f79
Notes

Praetorian Chiton Rose (#D95F79) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (347°, 62%, 61%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d95f79
RGB
rgb(217, 95, 121)
HSL
hsl(347, 62%, 61%)
HWB
hwb(347 37% 15%)
OKLCH
oklch(64.4% 0.154 9.3)
P3
color(display-p3 0.7924 0.4011 0.4780)
HSV
hsv(347, 56%, 85%)
LAB
lab(56.41% 50.20 9.52)
LCH
lch(56.41% 51.10 10.73)
CMYK
cmyk(0%, 56%, 44%, 15%)

Etymology

Praetorian
adjective

Latin praetōriānus, of the praetor — adjectival suffix, referring to the Roman-Imperial elite guard-cohorts. As a color modifier, praetorian implies a saturated-and-elite-and-imperial-guard quality, the deep-rich color of Roman-Praetorian-Guard elite-imperial-bodyguard scarlet-tunic-and-bronze-armor military-formation. Sits at the bold-and-formal end of the grid, parallel to spartan and imperial.

Chiton
modifier

Greek χιτών, Hellenic-tunic. As a color modifier, chiton implies a Hellenic-tunic-and-pinned-and-pleated quality, the visual register of Hellenic-Doric-and-Ionic-chiton hand-Hellenic-tunic-and-pinned-and-pleated Hellenic-Doric-and-Ionic-chiton-and-Phidias-Parthenon chiton-and-Hellenic-tunic surfaces under Hellenic-Doric-and-Ionic-chiton-and-Phidias-Parthenon Athenian-Acropolis-and-Hellenic-court Hellenic-tunic-light. Sits at the modifier-and-textile end of the grid, parallel to peplos and tunic in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d95f79
Original
#78787a
Protanopia
#979076
Deuteranopia
#eb5069
Tritanopia
#7b7b7b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.58:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.86:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D95F79
Display P3
Display P3
color(display-p3 0.7924 0.4011 0.4780)
P3 has subtle headroomOKLCH chroma 0.154

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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