Bulky Gable Crimson

Old Norse búlki, cargo / mass — adjectival suffix -y. As a color modifier, bulky implies a saturated-and-massive-and-occupying quality where the hue takes up visual space with broad-and-heavy presence. Sits at the bold-and-weighty end of the grid, parallel to hefty and substantial in usage.

Old French gable, triangular-end-of-pitched-roof. As a color modifier, gable implies a triangular-end-of-pitched-roof quality, the visual register of English-and-Tudor-and-Pennsylvania-Dutch-gable hand-built triangular-pitched-roof gable-and-dormer architectural surfaces under English-and-Tudor-and-Dutch gable-end light. Sits at the modifier-and-architecture end of the grid, parallel to eave and truss in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.