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Booming Nereid Ruby

#d91556
Notes

Booming Nereid Ruby (#D91556) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (340°, 82%, 47%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d91556
RGB
rgb(217, 21, 86)
HSL
hsl(340, 82%, 47%)
HWB
hwb(340 8% 15%)
OKLCH
oklch(57.1% 0.220 11.3)
P3
color(display-p3 0.7809 0.1907 0.3443)
HSV
hsv(340, 90%, 85%)
LAB
lab(46.93% 71.32 17.44)
LCH
lch(46.93% 73.42 13.74)
CMYK
cmyk(0%, 90%, 60%, 15%)

Etymology

Booming
adjective

Imitative-onomatopoeic origin — present-participle of boom, sharing root with Dutch bommen. As a color modifier, booming implies a saturated-and-loud-and-confident quality where the hue announces itself with full visual amplitude. Sits at the bold-and-resonant end of the grid, parallel to resounding and thunderous.

Nereid
modifier

Greek Νηρηΐς, sea-nymph-daughter-of-Nereus. As a color modifier, nereid implies a sea-nymph-and-Aegean-foam quality, the visual register of Hellenic-Nereid-and-Aegean-sea-nymph hand-sea-nymph-and-Aegean-foam Hellenic-Nereid-and-Aegean-sea-nymph-and-Poseidon-court nereid-and-sea-nymph-and-Aegean-foam surfaces under Hellenic-Nereid-and-Aegean-sea-nymph-and-Poseidon-court Aegean-island-and-rocky-cove sea-nymph-light. Sits at the modifier-and-myth end of the grid, parallel to nymph and dryad in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d91556
Original
#575757
Protanopia
#867d51
Deuteranopia
#ee0036
Tritanopia
#434343
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.01:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.19:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D91556
Display P3
Display P3
color(display-p3 0.7809 0.1907 0.3443)
P3 has visible headroomOKLCH chroma 0.220

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

Canvas