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Tracer Eden Goldenrod

#d7a018
Notes

Tracer Eden Goldenrod (#D7A018) is a true amber with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (43°, 80%, 47%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d7a018
RGB
rgb(215, 160, 24)
HSL
hsl(43, 80%, 47%)
HWB
hwb(43 9% 16%)
OKLCH
oklch(73.8% 0.147 82.8)
P3
color(display-p3 0.8102 0.6362 0.2358)
HSV
hsv(43, 89%, 84%)
LAB
lab(69.23% 9.71 69.29)
LCH
lch(69.23% 69.97 82.02)
CMYK
cmyk(0%, 26%, 89%, 16%)

Etymology

Tracer
adjective

Old French tracier, to trace — sharing root with English trace and track. As a color modifier, tracer implies a saturated-and-streak-of-light quality, the bright color of military-tracer-round and long-exposure-photography light-trail visual streak. Sits at the bright-and-active end of the grid, parallel to flashing and streaking in usage.

Eden
modifier

Hebrew ‘Ēden, garden-of-paradise. As a color modifier, eden implies a primal-paradise-and-garden-of-creation quality, the visual register of Genesis-Eden-and-Lucas-Cranach-paradise hand-primal-paradise-and-garden-of-creation Genesis-Eden-and-Lucas-Cranach-paradise-and-Northern-Renaissance eden-and-primal-paradise-and-garden-of-creation surfaces under Genesis-Eden-and-Lucas-Cranach-paradise-and-Northern-Renaissance Cranach-and-Bosch-and-Hieronymus primal-garden-light. Sits at the modifier-and-myth end of the grid, parallel to avalon and bliss in usage.

Goldenrod
noun

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d7a018
Original
#b7a100
Protanopia
#c4af22
Deuteranopia
#ea8f89
Tritanopia
#a2a2a2
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.35:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.93:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D7A018
Display P3
Display P3
color(display-p3 0.8102 0.6362 0.2358)
P3 has subtle headroomOKLCH chroma 0.147

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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