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Saturated Tsutsuji

#d723a2
Notes

Saturated Tsutsuji (#D723A2) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (318°, 72%, 49%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d723a2
RGB
rgb(215, 35, 162)
HSL
hsl(318, 72%, 49%)
HWB
hwb(318 14% 16%)
OKLCH
oklch(59.9% 0.237 343.9)
P3
color(display-p3 0.7747 0.2175 0.6195)
HSV
hsv(318, 84%, 84%)
LAB
lab(49.81% 75.22 -24.63)
LCH
lch(49.81% 79.15 341.87)
CMYK
cmyk(0%, 84%, 25%, 16%)

Etymology

Saturated
adjective

From the Latin saturatus, past participle of saturare, to fill. A technical color term in modern usage — saturation is one of the three axes of HSL (with hue and lightness). As a modifier, saturated implies that the hue is at or near its maximum chromatic intensity. Sits at the bold-and-bright top of the grid.

Tsutsuji
noun

Japanese 躑躅, azalea (Rhododendron indicum and R. obtusum) — a beloved spring-flowering shrub of Japanese gardens, particularly the deep-magenta kirishima-tsutsuji cultivars from Kagoshima's Mt. Kirishima. Tsutsuji color refers to a fully bloomed kirishima-tsutsuji terminal truss in a Kyoto temple garden: a saturated, slightly cool deep magenta with the velvet finish of fresh five-petaled bell-flowers in dense terminal clusters.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d723a2
Original
#3d64a5
Protanopia
#76819e
Deuteranopia
#e52263
Tritanopia
#525252
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.51:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.65:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D723A2
Display P3
Display P3
color(display-p3 0.7747 0.2175 0.6195)
P3 has visible headroomOKLCH chroma 0.237

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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