colors
Back to gallery

Pulsing Prism Goldenrod

#d69a15
Notes

Pulsing Prism Goldenrod (#D69A15) is a true amber with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (41°, 82%, 46%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d69a15
RGB
rgb(214, 154, 21)
HSL
hsl(41, 82%, 46%)
HWB
hwb(41 8% 16%)
OKLCH
oklch(72.5% 0.146 79.7)
P3
color(display-p3 0.8039 0.6137 0.2258)
HSV
hsv(41, 90%, 84%)
LAB
lab(67.62% 12.44 68.65)
LCH
lch(67.62% 69.77 79.73)
CMYK
cmyk(0%, 28%, 90%, 16%)

Etymology

Pulsing
adjective

The progressive participle of pulse, to throb. Used as a color modifier for hues that read as if they were alternating between two states of luminance — the vibration of a high-saturation color against a contrasting background. Sits in the bright-bucket center alongside electric, with the implication of optical motion rather than static luminance.

Prism
modifier

Greek πρῖσμα, something-sawn. As a color modifier, prism implies a Newtonian-rainbow-and-spectrum-splitting quality, the visual register of Newton-Optics-and-Cambridge-prism hand-Newtonian-rainbow-and-spectrum-splitting Newton-Optics-and-Cambridge-and-Trinity-College-prism prism-and-Newtonian-rainbow-and-spectrum-splitting surfaces under Newton-Optics-and-Cambridge-and-Trinity-College-prism 17th-century-natural-philosophy-and-rainbow-experiment spectrum-light. Sits at the modifier-and-cosmic end of the grid, parallel to corona and plasma in usage.

Goldenrod
noun

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d69a15
Original
#b19c00
Protanopia
#bfab1e
Deuteranopia
#e98984
Tritanopia
#9d9d9d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.47:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.49:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D69A15
Display P3
Display P3
color(display-p3 0.8039 0.6137 0.2258)
P3 has subtle headroomOKLCH chroma 0.146

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas