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Stalwart Madder

#d6666e
Notes

Stalwart Madder (#D6666E) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (356°, 58%, 62%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d6666e
RGB
rgb(214, 102, 110)
HSL
hsl(356, 58%, 62%)
HWB
hwb(356 40% 16%)
OKLCH
oklch(64.7% 0.141 17.5)
P3
color(display-p3 0.7837 0.4246 0.4405)
HSV
hsv(356, 52%, 84%)
LAB
lab(57.01% 44.72 16.72)
LCH
lch(57.01% 47.74 20.49)
CMYK
cmyk(0%, 52%, 49%, 16%)

Etymology

Stalwart
adjective

Old English stǣl-wyrðe, stable-and-worthy. As a color modifier, stalwart implies a saturated-and-loyal-and-firm quality where the hue carries the dependable-and-trustworthy visual presence of a Knight-Templar guard. Sits at the bold-and-firm end of the grid, parallel to steadfast and firm in usage.

Madder
noun

Rubia tinctorum, the dyer's madder — the root pigment that fed European red textile production from antiquity until synthetic alizarin replaced it in 1869. Less brilliant than kermes, more lightfast than safflower, madder-dyed wool was the workhorse red of Persian carpets, British redcoats, and Turkish kilim. The color carries that history: a warm, slightly orange red with the matte finish of cloth rather than glaze.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d6666e
Original
#7e7b6e
Protanopia
#9b916c
Deuteranopia
#e85669
Tritanopia
#7e7e7e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.51:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.98:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D6666E
Display P3
Display P3
color(display-p3 0.7837 0.4246 0.4405)
P3 has subtle headroomOKLCH chroma 0.141

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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