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Voluptuous Tufted Ruby

#d50e53
Notes

Voluptuous Tufted Ruby (#D50E53) is a true magenta with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (339°, 88%, 45%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d50e53
RGB
rgb(213, 14, 83)
HSL
hsl(339, 88%, 45%)
HWB
hwb(339 5% 16%)
OKLCH
oklch(56.1% 0.219 11.4)
P3
color(display-p3 0.7662 0.1768 0.3326)
HSV
hsv(339, 93%, 84%)
LAB
lab(45.76% 71.04 17.59)
LCH
lch(45.76% 73.19 13.90)
CMYK
cmyk(0%, 93%, 61%, 16%)

Etymology

Voluptuous
adjective

Latin voluptuōsus, pleasurable — derived from voluptās (pleasure). As a color modifier, voluptuous implies a saturated-and-rich-and-curving-sensual quality, the deep-rich color of Rubens-and-Boucher baroque-and-rococo flesh-and-fabric tonality. Sits at the bold-and-saturated end of the grid, parallel to lush and plush in tone.

Tufted
modifier

Old French touffe, tuft. As a color modifier, tufted implies a hand-tufted-and-puffed quality, the visual register of Edwardian-and-Belle-Époque-tufted-upholstery hand-tufted-and-puffed-and-upholstered velvet-and-silk-and-leather tufted-and-puffed-upholstery surfaces under Edwardian-and-Belle-Époque hand-tufted-upholstery-and-cushion light. Sits at the modifier-and-texture end of the grid, parallel to fluff and flock in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d50e53
Original
#545454
Protanopia
#837a4e
Deuteranopia
#ea0032
Tritanopia
#3d3d3d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.23:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.02:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D50E53
Display P3
Display P3
color(display-p3 0.7662 0.1768 0.3326)
P3 has visible headroomOKLCH chroma 0.219

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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