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Pearly Karakurenai

#d4b2b1
Notes

Pearly Karakurenai (#D4B2B1) is a soft red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (2°, 29%, 76%) places it in the muted band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d4b2b1
RGB
rgb(212, 178, 177)
HSL
hsl(2, 29%, 76%)
HWB
hwb(2 69% 17%)
OKLCH
oklch(79.3% 0.040 20.0)
P3
color(display-p3 0.8098 0.7030 0.6970)
HSV
hsv(2, 17%, 83%)
LAB
lab(75.46% 12.10 5.09)
LCH
lch(75.46% 13.13 22.84)
CMYK
cmyk(0%, 16%, 17%, 17%)

Etymology

Pearly
adjective

Old French perle, pearl — adjectival suffix -y. As a color modifier, pearly implies a pale-and-iridescent-and-soft quality, the pale color of Akoya-and-South-Sea freshwater-and-saltwater natural-pearl iridescent-aragonite-nacre surface-finish. Sits at the pale-and-soft end of the grid, parallel to waxen and opalescent in usage.

Karakurenai
noun

Literally Chinese crimson in Japanese — the deep, saturated red associated with imported Tang-dynasty silks and the Heian-period aristocratic taste for continental luxury. The color refers to a karakurenai-dyed silk preserved in the Imperial Repository at Shōsō-in: a saturated, slightly cool deep red with the matte finish of layered aka-kō dye. Deeper than akane, cooler than vermillion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d4b2b1
Original
#b8b6b1
Protanopia
#c0bcb1
Deuteranopia
#dcafb2
Tritanopia
#b9b9b9
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.94:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
10.80:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D4B2B1
Display P3
Display P3
color(display-p3 0.8098 0.7030 0.6970)
Inside sRGBOKLCH chroma 0.040

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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