colors
Back to gallery

Inviting Mandarino

#d47f45
Notes

Inviting Mandarino (#D47F45) is a true orange with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (24°, 62%, 55%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d47f45
RGB
rgb(212, 127, 69)
HSL
hsl(24, 62%, 55%)
HWB
hwb(24 27% 17%)
OKLCH
oklch(67.7% 0.128 53.0)
P3
color(display-p3 0.7853 0.5138 0.3148)
HSV
hsv(24, 67%, 83%)
LAB
lab(61.32% 27.90 44.73)
LCH
lch(61.32% 52.71 58.05)
CMYK
cmyk(0%, 40%, 67%, 17%)

Etymology

Inviting
adjective

Latin invītāre, to invite — present-participle of invite. As a color modifier, inviting implies a clear-and-cordial-and-encouraging quality where the hue carries the visual register of warm-inviting-and-encouraging entrance-foyer color tone. Sits at the crisp-and-cheerful end of the grid, parallel to welcoming and hospitable in usage.

Mandarino
noun

The Italian word for mandarinCitrus reticulata — the small citrus cultivated in Sicily since Arab agricultural-period introduction. Mandarino names both the fruit and the slightly cooler, redder orange that distinguishes mandarins from sweet oranges. The color refers to a fresh Sicilian mandarino: a saturated, slightly cool orange with the matte finish of mandarin rind.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d47f45
Original
#97883f
Protanopia
#ac9b45
Deuteranopia
#e76e72
Tritanopia
#8d8d8d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.03:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.92:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D47F45
Display P3
Display P3
color(display-p3 0.7853 0.5138 0.3148)
P3 has subtle headroomOKLCH chroma 0.128

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas